Choosing The Right Software To Make Your Own Beats

In the ever-expanding music industry, the beat is the first thing that will get a song noticed. This is why one should try to get unique beats, which will draw attention quickly. There are two main ways to do this; you can buy ready-made ones or make your own online. Both methods have their upsides and downsides too. For instance, buying the beat will get you up and running quickly. However, the costs might add up quickly, especially if you are just getting started.
If you decide to make your own, you can have something truly unique. This can help propel your song to top charts. If you do not acquire the right software, you can be sure that your efforts are not likely to bear fruits. If you wanted to sell them, no one will be interested.
In order to choose the best, you need to follow certain tips. You should start by looking for something with an user-friendly interface. This way you can start using it immediately you get it. It must also offer training in form of tutorial videos or other form of orientation.
It is also good if you are provided with a trial option before you buy the full version. This will give you assurance that the output from the actual software will be worth the effort. It should also be offered at a fair price.
Sometimes, working alone can be frustrating. This is why it good software programs that allow one to network with other in the industry is great. This will ascertain that you get immediate feedback on what you engage in. You can also get great tips from the others.
If you get a program offering all these qualities, you can make beats quite easily. Even with no experience in music, you can start making great stuff after a short while. Remember, whatever the beat is meant for, it has to be appealing in the first place.
Don't forget that if you don't want to go to the trouble of making your own beats on your computer or online, you can always purchase beats using the online stores available to us now. It's amazing how many things have gone digital, even music licensing and finding rap instrumentals can be done using the internet.
Everybody who has ever thought of making rap music in their life should probably give it a try. Now that finding beats and finding places where you can purchase beats is so easy, it is the best time ever to get started.

1969 Woodstock: 3 Days That Made Music History

Woodstock was the brainchild of four men. Micheal Lang, Artie Kornfeld, Joel Rosenman, and John Roberts. Roberts and Rosenman took care of the financial responsibilities. Land had the experience as a promoter. He had already organized and promoted the largest musical event thus far on the east coast, 'The Miami Pop Festival'. The four men had originally envisioned a small recording studio in Woodstock, New York, but the idea evolved into the large outdoor music festival it became. Known as Woodstock, the festival would actually take place 43 miles away in the township of Bethel, N.Y. Exact geography placed the site at at Max Yasgur's dairy farm, a 600 acre piece of land just outside Bethel. The festival took place on the weekend of August 15, through August 18, 1969. During the off-on rainy weekend, 32 acts performed live in front of a staggering, 500,000 people. It was also the subject of the documentary movie, "Woodstock" released in 1970. Rolling Stone magazine listed the event as one of the '50 Moments that Changed the History of Rock 'n' Roll'.
Signing on the various acts that were to perform on the venue proved to be challenging. Many local small-name bands quickly jumped on board, but the one local big-name, promoters were hoping to get was Bob Dylan. They had their fingers crossed that if they held the concert in his backyard, the renowned musical poet would, 'come out and play', however this never happened. Another dissappointing no-show would be Joni MItchell, who wrote the song 'Woodstock' to commemorate the event. Creedence Clearwater Revival was the first big-name band to sign on to the event. According to CCR drummer, Doug Clifford, "once Creedence signed on, everyone else fell in line". True or not, the artist in the mainstream of music at the time would eventually sign up for the festival. Acts like Joan Baez, Santana, Jefferson Airplane, Arlo Guthrie, and Janis Joplin, along with a host of other headliners, were going to bring in the crowds. This may have worked a little too well, however.
Good intentions aside, promoters were planning on making some dough during all this. Tickets were for sale before the concert at $18, (about $105 in 2009). Tickets were $24 for all three days for attendees who showed up at the event. Tickets were for sale at record stores only or through the mail via a P.O. Box at Radio City Music Hall. With 186,000 sold beforehand, promoters estimated approximately 200,000 people showing up at the gate. Woodstock famously became 'a free concert' when that estimated number swelled to half a million strong! This sudden influx of people onto this small rural area wreaked havoc on the traffic system. Law Enforcement's only choice had to greatly relax their traffic codes and let things naturally flow until it was back to a normal state.
Another problem was the rain. It had caused the dirt roads and fields muddy and difficult to get around in. Also, because of the gross underestimation of the crowd number, sanitation, first-aid stations, and food vendors found themselves completely unprepared. Facing all of them was a food shortage, unsanitary conditions, and an overcrowding situation that probably would have spelled doom for most concerts and large outdoor shows. Remarkably, things remained, (for the most part), calm and peaceful. Most folks were making the best of it and enjoying the music. Even so, on Sunday morning, Governor of New York, Nelson Rockefeller called concert organizer, John Roberts and told him he was strongly considering calling up 10,000 National Guardsmen to police the situation. Fearing this may cause violence, Roberts successfully persuaded the Governor to stand down the troops.
Woodstock was unbelievably peaceful and trouble free, however there were a few incidents, including two recorded deaths. One was what appeared to be a heroin overdose and another was a freak accident, when a tractor ran over a festival goer, sleeping in a nearby hayfield. Also, there were two births. One occurred in a car stuck in traffic and the other at a hospital after the delivering mother was airlifted from the festival grounds.
Despite all the craziness and walking the fine line between success and total disaster, Woodstock,for most attendees, did what it was supposed to do, capture the sprit of the '60?s. The whole thing must have dumbfounded some, disgusted others, and made the rest wonder at it all. Afterwards, Max Yasgur, who owned the land, spoke of the event very fondly of the event, saying that the possibilibily of catastrophe was always there but instead it became about peace, love, and music. Finally stating that "if we join them, we can turn those adversities that are the problems of America today into a hope for a brighter and more peaceful future..." I figure at the rate we're going, we need a Woodstock every two years.

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